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- Cinema Exhibition Training
- Training for Non-Technical Cinema Employees
Curriculum
- 7 Sections
- 45 Lessons
- 52 Weeks
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- Artistic Intent – Why We Are HereThe Producers and Directors all believe that if they make their vision come to life – make their story into a movie – it will be shown in a way that allows the audience see and hear what they created with the same splendor they realized. Were they wrong?1
- Quality Management BasicsIf something is managed properly, then there is control over the quality of the items being delivered, and assurance that the end user will be satisfied. Quality Management | Quality Control | Quality Assurance12
- 3.1Ideas Behind The Checklist
- 3.2Training and You – and the ISO 9001 Management System – Part 1
- 3.3Routines to Self-Certify – Checklists and Employee Training – Part I
- 3.4Routines to Self-Certify – Checklists and Employee Training – Part II
- 3.5How to: Manager’s Walk Through
- 3.6How to: Manager’s Walk Through – Part 2
- 3.7Units of Measurement25 Minutes
- 3.8Where to Judge The Auditorium
- 3.9Where’s My Atmos, and What Is An IAB?
- 3.103 Letter Acronyms – KDM, CMS, FLM and more about Encryption
- 3.11Non-Cinema Tech – Alternative Content
- 3.12Units of Measurement – Part 2
- Cinema Basics – AudioSome say that a movies sound is 50% of the movie. So, it better be good, eh?6
- Cinema Basics – PictureSound has nuance. Picture has a thousand words for nuance. Let's learn some.7
- Making MeasurementsYour picture and sound equipment get calibrated according to a schedule that management thinks is appropriate for your facility – sometimes in 6 month or 12 month or 18 month intervals. But we all know that things happen in between. With the right tools, you can become the judge.4
- Accessibility EquipmentSome of our customers use the large speaker systems to know what the actors are saying, some read the words with special "closed caption" equipment...some listen to special tracks on headphones. The equipment is called Accessibility Equipment. We have to understand it and test it to make certain our customer gets the best experience possible.14
- 7.1The Other-Abled, and You
- 7.2Accessibility To Inclusion In Cinema – Prelude
- 7.3Promise, Promises and Great Expectations
- 7.4The Access Community
- 7.5Accommodation, In General
- 7.6Accommodation, Open Captions
- 7.7Accommodation, Closed Captions
- 7.8No Technology Before Its Time
- 7.9Industry Coordination
- 7.10Different Paths; …and Finally, Results
- 7.11DCP Production – Narration and Closed Caption Creation
- 7.12Currently Available – “Personal” Closed Caption Solutions
- 7.13Specialized Audio Systems for the Blind and Partially Sighted
- 7.14Signing In Cinema
- EmergenciesLife happens in real time. Sometimes we read about it. More rarely, we are there. And after, we wish that we could have practiced a little bit before being thrown into it.1